Wednesday, September 16 was the third night for the week of Emmy celebrations honoring talented artists and craftspeople in the categories of Scripted Programming categories. Below are the winners and the nominees for each category.
The ceremony was hosted by Emmy-nominated host Nicole Byer and featured presenters from some of the season’s most popular shows including Rose Byrne (Mrs. America), Hilarie Burton Morgan (Friday Night In With The Morgans), Bobby Cannavale (Homecoming), Laverne Cox (Orange Is the New Black; Disclosure), Brandee Evans (P-Valley), Giancarlo Esposito (The Mandalorian; Better Call Saul), John Hodgman(Dicktown from Cake), Justin H. Min (The Umbrella Academy), Jeffrey Dean Morgan (Friday Night In With The Morgans; The Walking Dead) and Monica Raymund (Hightown).
Outstanding Special Visual Effects
- Lost In Space, “Ninety-Seven” (Netflix)
- The Mandalorian, “Chapter 2: The Child” (Disney+) *WINNER*
- Stranger Things, “Chapter Eight: The Battle Of Starcourt” (Netflix)
- Watchmen, “See How They Fly” (HBO)
- Westworld, “Crisis Theory” (HBO)
Outstanding Special Visual Effects in a Supporting Role
- Devs, “Episode 8” (FX on Hulu)
- The Handmaid’s Tale, “Household” (Hulu)
- Tales From The Loop, “Loop” (Amazon Prime Video)
- Tom Clancy’s Jack Ryan, “Strongman” (Amazon Prime Video)
- Vikings, “The Best Laid Plans” (History) *WINNER*
Outstanding Cinematography for a Limited Series or Movie
- Defending Jacob, “After” (Apple TV Plus)
- Devs, “Episode 7” (FX on Hulu)
- The Plot Against America, “Part 1” (HBO)
- Watchmen, “Little Fear of Lighting” (HBO)
- Watchmen, “This Extraordinary Being” (HBO) *WINNER*
Outstanding Cinematography for a Multi-camera Series
- Bob Hearts Abishola, “Ice Cream For Breakfast” (CBS)
- Family Reunion, “Remember Black Elvis?” (Netflix)
- The Ranch, “It Ain’t My Fault” (Netflix) *WINNER*
- Will & Grace, “Accidentally On Porpoise” (NBC)
Outstanding Cinematography for a Single-camera Series (Half-hour)
- The End Of The F***ing World, “Episode 2” (Netflix)
- Homecoming, “Giant” (Amazon Prime Video)
- Insecure, “Lowkey Happy” (HBO)
- Insecure, “Lowkey Lost” (HBO)
- The Mandalorian, “Chapter 7: The Reckoning” (Disney+) *WINNER*
Outstanding Contemporary Hairstyling
- Black-ish, “Hair Day” (ABC) *WINNER*
- Grace And Frankie, “The Laughing Stock” (Netflix)
- The Handmaid’s Tale, “Liars” (Hulu)
- The Politician, “Pilot” (Netflix)
- Schitt’s Creek, “Happy Ending” (Pop TV)
- This Is Us, “Strangers: Part Two” (NBC)
Outstanding Period and/or Character Makeup (Non-prosthetic)
- American Horror Story: 1984, “The Lady In White” (FX)
- Hollywood, “Outlaws” (Netflix)
- The Marvelous Mrs. Maisel, “It’s Comedy Or Cabbage” (Amazon Prime Video) *WINNER*
- Pose, “Acting Up” (FX)
- Star Trek: Picard, “Stardust City Rag” (CBS All Access)
Outstanding Prosthetic Makeup for a Series, Limited Series, Movie or Special
- American Horror Story: 1984, “True Killers” (FX)
- Hollywood, “Jump” (Netflix)
- The Mandalorian, “Chapter 6: The Prisoner” (Disney+)
- Pose, “Love’s In Need Of Love Today” (FX)
- Star Trek: Picard, “Absolute Candor” (CBS All Access) *WINNER*
- Westworld, “Crisis Theory” (HBO)
Outstanding Fantasy/Sci-fi Costumes
- Carnival Row, “Aisling” (Amazon Prime Video)
- The Handmaid’s Tale, “Household” (Hulu)
- The Mandalorian, “Chapter 3: The Sin” (Disney+)
- Watchmen, “It’s Summer And We’re Running Out Of Ice” (HBO) *WINNER*
- Westworld, “Parce Domine” (HBO)
Outstanding Period Costumes
- The Crown, “Cri De Coeur” (Netflix) *WINNER*
- Hollywood, “A Hollywood Ending” (Netflix)
- The Marvelous Mrs. Maisel, “It’s Comedy Or Cabbage” (Amazon Prime Video)
- Mrs. America, “Shirley” (FX on Hulu)
- Pose, “Acting Up” (FX)
Outstanding Multi-Camera Picture Editing for a Comedy Series
- The Conners, “Slappy Holidays” (ABC)
- One Day At A Time, “Boundaries” (Pop TV) *WINNER*
- Will & Grace, “We Love Lucy” (NBC)
- Will & Grace, “What A Dump” (NBC)
Outstanding Single-camera Picture Editing for a Drama Series
- The Mandalorian, “Chapter 2: The Child” (Disney+)
- The Mandalorian, “Chapter 4: Sanctuary” (Disney+)
- The Mandalorian, “Chapter 8: Redemption” (Disney+)
- Ozark, “Fire Pink” (Netflix)
- Ozark, “Wartime” (Netflix)
- Stranger Things, “Chapter Eight: The Battle Of Starcourt” (Netflix)
- Succession, “DC” (HBO)
- Succession, “This Is Not For Tears” (HBO) *WINNER*
Outstanding Single-camera Picture Editing for a Limited Series or Movie
- El Camino: A Breaking Bad Movie (Netflix)
- Mrs. America, “Phyllis” (FX on Hulu)
- Watchmen, “A God Walks In To Abar” (HBO) *WINNER*
- Watchmen, “It’s Summer And We’re Running Out Of Ice” (HBO)
- Watchmen, “This Extraordinary Being” (HBO)
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation
- The Mandalorian, “Chapter 2: The Child” (Disney+) *WINNER*
- Modern Family, “Finale Part 1” (ABC)
- The Ranch, “Fadeaway” (Netflix)
- Schitt’s Creek, “Happy Ending” (Pop TV)
- Space Force, “Save Epsilon 6!” (Netflix)
Outstanding Sound Mixing for a Limited Series or Movie
- American Horror Story: 1984, “Camp Redwood” (FX)
- Devs, “Episode 3” (FX on Hulu)
- El Camino: A Breaking Bad Movie (Netflix)
- Hollywood, “Hooray For Hollywood” (Netflix)
- Watchmen, “This Extraordinary Being” (HBO) *WINNER*
Outstanding Sound Editing for a Comedy Or Drama Series (One Hour)
- Better Call Saul, “Bagman” (AMC)
- The Boys, “The Name Of The Game” (Amazon Prime Video)
- The Crown, “Aberfan” (Netflix)
- Star Trek: Picard, “Et In Arcadia Ego: Part 2” (CBS All Access)
- Stranger Things, “Chapter Eight: The Battle Of Starcourt” (Netflix) *WINNER*
- Westworld, “Parce Domine” (HBO)
Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation
- GLOW, “The Libertines” (Netflix)
- The Mandalorian, “Chapter 1: The Mandalorian” (Disney+) *WINNER*
- Silicon Valley, “Exit Event” (HBO)
- Space Force, “The Launch” (Netflix)
- What We Do In The Shadows, “The Return” (FX)
Outstanding Production Design for a Narrative Program (Half-Hour)
- GLOW, “Up, Up, Up” (Netflix)
- The Mandalorian, “Chapter 1: The Mandalorian” (Disney+) *WINNER*
- Space Force, “The Lauch” (Netflix)
- What We Do In The Shadows, “Resurrection,” “Collaboration,” “Witches” (FX)
- Will & Grace, “We Love Lucy” (NBC)
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)
- Big Little Lies, “What Have They Done?,” The Bad Mother,” I Want To Know” (HBO)
- The Handmaid’s Tale, “Household” (Hulu) *WINNER*
- Killing Eve, “Are You From Pinner?” (BBC America)
- The Morning Show, “In The Dark Night Of The Soul It’s Always 3:30 In The Morning”
- (Apple TV+)
- Ozark, “Wartime” (Netflix)
- Succession, “This Is Not For Tears” (HBO)
The 2020 Creative Arts Emmy Awards are being streamed on Emmys.com for four consecutive nights, Monday, Sept. 14, through Thursday, Sept. 17, at 8:00 p.m. EDT/5:00 p.m. PDT with a fifth broadcast ceremony on Saturday, Sept. 19, at 8:00 p.m. EDT/5:00 p.m. PDT on FXX.
Winners’ names are known only by Ernst & Young LLP until they are revealed to the director of the Emmys ceremony as the show is airing. All five shows are produced by Bob Bain Productions.
