In this day and age, you can’t make a movie, TV show or video game without sound (you can but why?)… This was another busy weekend in award season and the following update is for this year’s Golden Reel Awards.
At a black-tie ceremony held at the Bonaventure Hotel in Los Angeles, the Motion Picture Sound Editors held their 62nd MPSE Golden Reel Awards honoring outstanding achievement in sound editing in 20 categories from feature films, long-form and short-form television, animation, documentaries and other media.
Honored
- Darren Aronofsky received the MPSE Filmmaker Award from Supervising Sound Editor Craig Henighan
- Skip Lievsay, Supervising Sound Editor received the Career Achievement award from Re-Recording Mixer Greg Orloff
- Supervising sound editors Glenn T. Morgan and Mandell Winter presented the Verna Fields Award for Sound Editing in Student Films and the Ethel Crutcher Scholarship Award to students from Savannah College of Art and Design
62nd MPSE Golden Reel Awards Winners List
TV/FEATURE ANIMATION AND DOCUMENTARY
Best Sound and Music Editing: Television Animation
STAR WARS : REBELS
- “Gathering Forces “
- SUPERVISING SOUND EDITORS: Matthew Wood, David Acord
- SOUND DESIGNER: David Acord
- SUPERVISING FOLEY EDITOR: Frank Rinella
- FOLEY ARTISTS: Kim Patrick, Frank Rinella
- SOUND EFFECTS EDITOR: Ryan Frias
- DIALOGUE / ADR EDITOR: Tony Diaz, MPSE
- SUPERVISING MUSIC EDITOR: Sean Kiner
Best Sound and Music Editing: Television Documentary, Short Form
AX MEN
- “Ax Marks the Spot”
- SUPERVISING SOUND EDITOR / SOUND DESIGNER: Bob Bronow, MPSE
- SUPERVISING DIALOGUE EDITOR: Doug Kern
- SOUND EFFECTS EDITOR: Eddie Rodriguez
Best Sound and Music Editing: Television Documentary, Long Form
FOO FIGHTERS SONIC HIGHWAYS
- “Seattle”
- SUPERVISING SOUND EDITOR / SOUND DESIGNER /
- SUPERVISING DIALOGUE EDITOR: Eddie Kim
- SUPERVISING DIALOGUE / ADR EDITOR: Jeff Fuller
- SOUND EFFECTS EDITORS: Eddie Kim, Justin Lebens
- DIALOGUE / ADR EDITOR: Justin Lebens
- SUPERVISING MUSIC EDITOR: Jeff Fuller
Best Sound and Music Editing: Feature Animation
BIG HERO 6
- SUPERVISING SOUND EDITOR: Shannon Mills
- SUPERVISING FOLEY EDITOR: Robert Shoup
- SUPERVISING DIALOGUE EDITOR: Kim Foscato
- SUPERVISING ADR EDITOR: Daniel Laurie
- FOLEY ARTISTS: John Roesch, Alyson Dee Moore
- SOUND EFFECTS EDITORS: Addison Teague, Nia Hansen, David C. Hughes, JeremyBowker
- SUPERVISING MUSIC EDITOR: Dan Pinder
- MUSIC EDITOR: Earl Ghaffari
- FOLEY EDITOR: Jim Likowski
Best Sound and Music Editing: Feature Documentaries
WARSAW UPRISING
- SUPERVISING SOUND EDITORS: Kacper Habisiak, MPSE, Bartosz Putkiewicz
- SOUND DESIGNER: Marcin Kasiński ,MPSE, Dariusz Stanek
- SUPERVISING FOLEY EDITOR: Henryk Zastróżny
- SUPERVISING DIALOGUE / ADR EDITOR: Filip Krzemień
- FOLEY ARTISTS: Jacek Wiśniewski, Jacek Pająk
- SOUND EFFECTS EDITORS: Aleksandra Pająk, Anna Kufirska, Filip Krzyżykowski
- DIALOGUE / ADR EDITOR: Tomasz Maciątek
- SUPERVISING MUSIC EDITOR: Agnieszka Putkiewicz
- MUSIC EDITORS: Dariusz Podhajski, Anna Malarowska
- ADR EDITORS: Stefan Gawłowski, Maciej Wiejaczka, Jarosław Bajdowski, MariuszBielecki, Mariusz Andrysik
- SOUND EFFECT EDITOR: Michał Kosterkiewicz
VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMS
SEA ODYSSEY
Savannah College of Art and Design
- SUPERVISING SOUND EDITOR: Beau Anthony Jimenez
- SUPERVISING FOLEY EDITOR: Eolyne Arnold
- FOLEY ARTIST: Melissa Terry
- SOUND EFFECTS EDITORS: Jacob Flack, Nick Caramela, Matt Yocum
- DIALOGUE / ADR EDITOR: Kai Paquin
COMPUTER/DIRECT-TO-VIDEO/FOREIGN FEATURE
Best Sound and Music Editing: Computer Episodic Entertainment (Webisode)
HALO NIGHTFALL
- SUPERVISING SOUND EDITOR: Lee Walpole
- SOUND DESIGNER: Andy Kennedy
- SUPERVISING FOLEY EDITOR: Sarah Elias
- SUPERVISING DIALOGUE / ADR EDITOR: Jeff Richardson
- FOLEY ARTIST: Meltem Baytok
- SOUND EFFECTS EDITORS: Matthew Mewett, Danton Tanimura
Best Sound and Music Editing: Game Cinematics
LEAGUE OF LEGENDS – ‘A NEW DAWN’
- SUPERVISING SOUND EDITORS: Riot Games Audio Team
- SOUND DESIGNERS: Riot Games Audio Team
- SUPERVISING DIALOGUE / ADR EDITOR: Riot Games Audio Team
- FOLEY ARTISTS: Gary Hecker, Gary Marullo
- SOUND EFFECTS EDITORS: Riot Games Audio Team
- MUSIC EDITORS: Michael Patti, Michael Barry
Best Sound and Music Editing: Direct-to-Video, Animation
STAR WARS : THE CLONE WARS
“SACRIFICE”
- SUPERVISING SOUND EDITOR: Matthew Wood
- SOUND DESIGNER: David Acord
- SUPERVISING FOLEY EDITOR: Kevin Sellers
- SUPERVISING DIALOGUE / ADR EDITOR: Steve Slanec
- SOUND EFFECTS EDITOR: Jeremy Bowker
- SUPERVISING MUSIC EDITOR: Dean Menta
- MUSIC EDITOR: Sean Kiner
Best Sound and Music Editing: Direct-to-Video, Live Action
STONEHEARST ASYLUM
- SUPERVISING SOUND EDITORS: Lon Bender, MPSE, Bill Dean, MPSE
- SOUND DESIGNERS: Lon Bender, MPSE, Kris Fenske, MPSE
- SUPERVISING FOLEY EDITOR: Rachel Chancey,
- SUPERVISING DIALOGUE / ADR EDITOR: Bobbi Banks
- FOLEY ARTIST: Ryan Collison
- SOUND EFFECTS EDITORS: Patrick Cicero, Dino R. DiMuro, MPSE, Hector Gika, MPSE, Allan Zaleski, David Raines
- SUPERVISING MUSIC EDITOR: John Carbonara
- MUSIC EDITOR: Chad Birmingham
Best Sound and Music Editing: Feature Film, Foreign Language
THE LIBERATOR
- SUPERVISING SOUND EDITORS: Jay Nierenberg, MPSE, Jonathan Wales
- SOUND DESIGNER: Trevor Gates
- SUPERVISING ADR EDITOR: Andrés Velasquez
- FOLEY ARTIST: Vicki O’Reilly Vandegrift
- SOUND EFFECTS EDITORS: Chris Diebold, Steven Iba, Charles Maynes, MPSE, BrentFindley
- DIALOGUE / ADR EDITORS: Angela Hemingway, Todd Niesen, MPSE
- SUPERVISING MUSIC EDITOR: Ramiro Belgardt
- ADR EDITORS: Juan Diego Borda, Aleksandar Sasha Panich
- FOLEY EDITOR: Zach Schmitt, MPSE
TELEVISION, SHORT FORM
Best Sound Editing in Television, Short Form: Music
TIE
ALMOST HUMAN
- MUSIC EDITOR: Warren Brown, MPSE
FARGO
- SUPERVISING MUSIC EDITOR: Skye Lewin, MPSE
Best Sound Editing in Television, Short Form: Dialogue/ADR
THE NEWSROOM
- “Oh Shenandoah “
- SUPERVISING SOUND / ADR EDITOR: Mark Relyea
- DIALOGUE / ADR EDITORS: Edmund Lachmann, Julie Altus
Best Sound Editing in Television, Short Form: FX/Foley
GAME OF THRONES
- “The Children”
- SUPERVISING SOUND EDITOR: Tim Kimmel
- SOUND DESIGNER: Paula Fairfield, MPSE
- SUPERVISING FOLEY EDITOR: Brett Voss
- FOLEY ARTISTS: Jeffrey Wilhoit, MPSE, Dylan Wilhoit
- SOUND EFFECTS EDITOR: Bradley Katona, MPSE
TELEVISION, LONG FORM
Best Sound Editing in Television, Long Form: Dialogue/ADR
KLONDIKE
- “Episode 1 “
- SUPERVISING SOUND EDITOR: Lee Walpole
- SUPERVISING DIALOGUE EDITOR: Jason Lawrence
- SUPERVISING ADR EDITOR: Iain Eyre
Best Sound Editing in Television, Long Form: FX/Foley
HOUDINI
- “Night 1”
- SUPERVISING SOUND EDITOR: Michael J. Benavente, MPSE
- SUPERVISING FOLEY EDITOR: Robert Ulrich
- FOLEY ARTIST: Joan Rowe, MPSE
- SOUND EFFECTS EDITORS: Michael Sana, Paul Diller, Tim Cleveland, Gary Megregian, MPSE, John Snider
- FOLEY EDITORS: Rachel Corrales, Ryan Maguire
FEATURE FILM
Best Sound Editing in Feature Film: Music
BIRDMAN
- SUPERVISING MUSIC EDITOR: Martin Hernandez
- MUSIC EDITORS: Terry Wilson, Will Kaplan
Best Sound Editing in Feature Film: Music (Musical Feature)
GET ON UP
- SUPERVISING MUSIC EDITOR: Curt Sobel
- MUSIC EDITORS: Jordan Corngold
Best Sound Editing in Feature Film: Dialogue/ADR
UNBROKEN
- SUPERVISING SOUND EDITORS: Becky Sullivan, MPSE, Andrew DeCristofaro, MPSE
- DIALOGUE / ADR EDITORS: Laura Atkinson, Glynna Grimala
- ADR EDITOR: Lauren Hadaway
Best Sound Editing in Feature Film: FX/Foley
AMERICAN SNIPER
- SUPERVISING SOUND EDITORS: Alan Robert Murray, Bub Asman
- SOUND EFFECTS EDITORS: Jason King, Mark Larry, Roland N. Thai, Kevin R.W. Murray
- SOUND DESIGNER: Tom Ozanich
- SUPERVISING FOLEY EDITOR: Michael Dressel
- FOLEY EDITOR: Christopher Flick
- FOLEY ARTISTS: Dan O’Connell, John T. Cucci, MPSE
About The Motion Picture Sound Editors (MPSE)
The MPSE is a non-profit organization whose mission is to provide a wealth of knowledge from award-winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships and mentorship for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.
For more information, visit http://mpse.org/
